In both cases, reality gets infected by fantasy. Back then it was a majestic block of apartments in Barcelona’s Eixample district, this time it’s a more working-class version in the Vallecas neighborhood of 1991. Verónica (2017), that ambiguous ode to teen angst coated in demonic possession, even a tad reminiscent of that traumatic first episode in the saga he created with Jaume Balagueró. Paco Plaza is on a roll after leaving the “” saga behind him. The best, by far, is the way Plaza modernizes the genre, with humor and fabulous wisecracks.
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